In thexample below, it almost sounds like the hi-hat pattern shifts between two different tempos. The second example is just a different way to feel or interpret the cymbal pattern. The “skipping” syncopation only feel like they skip along over the top of the groove, like a rock bouncing over the surface of the water. Like jazz ride patterns or shuffles used on blues tunes, the following example impacts reggae songs a lot for just a slight shift in the rhythms or dynamics. These variations can also be good opportunities to phrase songs in unique ways. You can vary the rhythm or the accents, and by doing so, you can establish different styles. The shuffle patterns come in several variations. It’s more common in the “rockers reggae,” but you can use it on any type of reggae drum beat. Since most reggae drum beats have a swing feel, straight patterns are more common with faster reggae grooves. Straight patternĪ straight pattern may sound ordinary or even boring. The hi-hat variations are more so in terms of rhythm and feel. You change up the accents a little but not too much because the groove relies on the upbeat emphasis. Many of the variations on these three beats come in the form of different hi-hat or snare drum patterns.
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